PETER KERLIN OCTET – “SALAMANDER”

SALAMANDER – OUT NOW on Innova Recordings

8tet digital cover web (1 of 1)
“Never Mind the Tortoise, Here’s the ‘Salamander’ – cool motorik Dolphy slink”
- Steve Smith, Time Out New York

“Kerlin offers up ambitious bass-driven compositions that weave through post-rock and minimalist territory, with improvisational jazz-like detours along the way.”
- John Schaefer, WNYC “New Sounds”

“…many subtle surprises on this irrefutably persuasive offering. It’s as though Kerlin lifts items from different categories; reassembles, organizes and customizes into a top-shelf product. ”
-Glen Astarita, All About Jazz

The assembled octet performs like a well oiled machine and adds a vibrant edge to some of the most free thinking improvisational music of the year. A great ride!”
- Brent Black, CriticalJazz.com

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PERSONEL:

Basses: Peter Kerlin, Taylor Bergren-Chrisman, Brent Cordero
Vibraphones: Cesare Papetti, Sam Sowyrda
Drumset, percussion : Mike Pride
Viola: Amy Cimini, Jessica Pavone, Karen Waltuch
Hammond Organ / Wurlitzer Electric Piano: Emily Manzo

ONE SHEET

Salamander, the debut album by Brooklyn bassist-composer, Peter Kerlin (Solar Motel Band, Christy & Emily, Source of Yellow) takes the listener through five bass-driven compositions scored for two vibraphones, two basses, organ, drums, percussion, and viola. The range of each piece’s compositional core reaches from the through-composed “Bulbs” and “Snake Eats Electric Blanket” to the open cosmic jazz expression of “Ballad of the Bewildered Herd.” Along the way, post-rock staples like Stereolab and Tortoise and Krautrock luminaries Can, Faust and Neu! serve as jumping off points, as well as Terry Riley, Sonny Sharrock, and Eric Dolphy.

Salamander — whose title refers to the animal in medieval lore that can survive fire, highlighting the poetic, mythological, naive contradiction of humankind’s relationship with nature — is Kerlin’s first foray into a more ambitious compositional work, employing detailed notation as well as guided improvisational passages.

The ensemble features the contributions of lauded Brooklyn area players such as Mike Pride (Bacteria to Boys, Period, Dynamite Club), Taylor Bergren-Chrisman (Golem, The Dollars) Jessica Pavone (composer and frequent collaborator with Mary Halvorson), Amy Cimini (Anthony Braxton, Till by Turning, Starring), Sam Sowyrda (Cloud Becomes Your Hand, Dan Deacon), Cesare Papetti (Firebird Ensemble), Emily Manzo (Christy & Emily, Till by Turning) and Karen Waltuch (John Cale, Cynthia Hopkins). As a bass player, Kerlin has worked with a range of artists such as Ted Leo, Chris Forsyth, Nate Wooley, Ryan Sawyer, Hans Joachim Urmlir of Faust, Christy & Emily, Source of Yellow, and many others.  

SONY DSC

The Octet at WFMU Studios 06/08/2014,
Left to Right : Mike Pride, Jessica Pavone, Sam Sowyrda, Emily Manzo, Charles Burst, Taylor Bergren-Chrisman, Pater Kerlin, Cesare Papetti

 

PRESS:

John Schaefer, New Sounds, WNYC

Karl Akerman, All About Jazz

Glen Astarita, All About Jazz

Brent Black, Criticaljazz.com

Mark S. Tucker, FAME Reviews

 

 

 

 

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